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Sanitary Tortilla Factory
401-403 2nd St SW
Albuquerque, NM 87102

(505) 228-3749
stfsubmissions@gmail.com

Visiting Curator Talk with Rachel Cook

Posted in Uncategorized

ABOUT RACHEL COOK
As curator of DiverseWorks in Houston, TX, Rachel Cook is passionate about the organization’s mission to “commission, produce, and present new and daring art in all its forms through innovative collaborations that honor each artist’s vision without constraint.” Her curatorial work reconsiders the relationship between images and objects, and investigates methods of delegation embedded within performative and participatory work. She has helped to organize commissioned projects with Tony Feher, Liz Magic Laser, Heather and Ivan Morison, Wu Tsang, Pepe Mar, and Chelsea Knight and Mark Tribe.

Her writing has appeared in a number of art journals and catalogues, including Modern Painters, Flash Art, and the Prospect 3 catalogue. Prior to joining DiverseWorks, Cook worked for dOCUMENTA(13)’s publication team, and was a fellow for the International Studio & Curatorial Program, New York. She holds a Masters from the Center for Curatorial Studies at Bard College and a Bachelors from the San Francisco Art Institute.

Cook has recently been appointed Creative Director of On the Boards in Seattle, WA. Her visit is organized in partnership with ICI and with full financial support provided by Common Field.

 

Flight (01)
A Benefit Event for Immigration Awareness

Posted in Uncategorized

SATURDAY, JANUARY 27, 2018
5-8pm
524 Central NW
Mercedez Holtry performs @ 6pm
250 FREE TACOS by El Paisa

Mercedez Holtry     Jodie Herrera      Sheri Crider      Kei & Molly Textiles

A group of artists are gathering forces to create a visual, spoken word event that benefits the NM Dream Team, New Mexico Immigrant Law Center & the Santa Fe Dreamers Project. 

Flight (01) is the first of three events that is partially sponsored by the Right of Return Fellowship which invests in formerly incarcerated artists to create original works that can further criminal justice reform in partnership with advocates and organizers. Sheri Crider is 1 of 7 inaugural recipient’s of this fellowship. As part of Flight (01) four visual artists will create works that amplify the conversation surrounding immigration and mass incarceration. Each artist brings their own signature work to the event as a collectible item. The proceeds benefit local organizations that support community members impacted by these issues. Jodie Herrera has designed a custom tote with a recent design informed by her recent body of work, Women Across Borders. Kei and Molly have designed one of their gorgeous linens with migratory birds that are featured in limited edition bird mobiles by Sheri Crider. The birds design are conceptually tied to currently detained immigrants at Cibola Detention Center. Flight will grow over the year in a series of events, culminating in a large scale installation and series of events at the University of New Mexico Art Museum in August.   

Mercedez Holtry is a slam poet, writer, mentor, and Chicana feminist.  Holtry has represented ABQ on multiple final and semi-final stages for national poetry events and holds multiple Albuquerque Slam titles. She has worked with youth in poetry workshops in multiple cities around the country and hosts a monthly poetry reading called “Lobo Slam”.

 

Jodie Herrera is a visual artist and curator from Taos, New Mexico. She is of both Native and Hispanic descent. Herrera works as an illustrator, muralist, a mixed-media artist, and curator all while predominantly focusing on oil painting. Herrera’s art has been featured in such settings as The Anderson Museum of Contemporary Arts, The Art and History Museum of Santa Cruz, The Albuquerque Art and History Museum, 516 Gallery, Beautiful Bizarre Magazine, Center for Contemporary Arts Santa Fe, among many others.

 

 

Photography by Marla Bros/Albuquerque Journal

Sheri Crider is a visual artist, a community builder, a civil rights dreamer, living and working in Albuquerque, New Mexico. The seemingly innate ability to draw and create was the key to recovering from many years of drug addicted, homelessness and incarceration. sheri has a BFA from the University of Arizona and a MFA from the University of New Mexico.

 

 

copyright Mary Hobbs

Kei and Molly live in the high desert of Albuquerque, New Mexico. We founded Kei & Molly Textiles, LLC in 2010 to create both a printing studio dedicated to producing artisan-quality fabric goods as well as a vehicle to develop good jobs in our community. The studio is located in the International District of Albuquerque, an area home to many of the refugees and recent immigrants to our city. Vibrant with culture, it is nonetheless one of Albuquerque’s pockets of poverty. We are committed to creating good jobs in this area, and work with refugee resettlement programs to find many of our employees.

FOR MORE INFO: CONTACT SHERI CRIDER @ sherilcrider@gmail.com or call 505.228.3749

Interior Landscapes

31°19’19.10”N; 109°29’47.62”W: And Golden Light, 2017, video still, courtesy of Bockley Gallery

 

POSTCOMMODITY     ERIC PAUL-RIEGE 

JENEA SANCHEZ     TARA EVONNE TRUDELL

INTERIOR LANDSCAPES          

JANUARY 26 – FEBRUARY 23, 2018

OPENING RECEPTION: Friday, January 26th 6-9pm

Performances: Opening night 7pm and February 23rd 7pm

Interior Landscapes is an exhibition presented by Sanitary Tortilla Factory and 516 ARTS as part of a collaboration for “The US-Mexico Border: Place, Imagination, and Possibility”. Interior Landscapes co-curated by Daryl Lucero and sheri crider. The exhibition focus is on the lived experience of people on the U.S.-Mexico border. Elemental to these stories are the absence of political demarcations. Where the border suggests a bifurcation of territoriality, there also exists the space between the north and south.

The artists in this exhibit find themselves living in varying proximities with the border—Arizona, New Mexico, and Sonora. Although the artists vary in social, cultural, and geographical distances, the work engages communities situated on the border. The works are collaborative and signify the reciprocal nature in which borders can be negotiated, and recreated to benefit those within them.

The works are examples of socially engaged art that humanize the border wall and its symbol of national identity, culture, and politics. And what we see are the acts that speak to living in a place of tension, violence, and creativity. The border becomes possessed by the humanity of those within it. What we witness are the stories, experiences, and truths not of the artists, but through the medium of conversation between the artists and communities. We witness the creativity of people and place.

In Border Tapestry (2009) M. Jenea Sanchez teases the absence of the border wall by transforming its purpose to divide and uses it to unite. Sanchez utilizes the steel structure as a loom to weave, to recall and connect to the “familial roots of the border communities, the families that are separated by the fence, and the days when movement across was more fluid and natural rather than militarized.”

Tara Evonne Trudell’s work physically transforms the words and messages of those living within the border area. Tara Evonne Trudell hosts poetry workshops with communities situated on the border. In these workshops, participants create poems that are then created into beads which become long strands of poetry. Tara Evonne Trudell see this work as a way to “address the realities of trying to cross the border: a trip plagued with dangerous environments and a heavily militarized zone.”

From the outside looking in, the border can be flat and two-dimensional. These works bring to light the life within. The border is animated, mocked, teased, and made human.

Click here to read the exhibition brochure

 

 

Thank you to 516 ARTS for making this exhibition possible.

516 ARTS US-Mexico Boarder Program Guide

Click Here

 

 

Pre-existing Conditions
Cecilia McKinnon and Lance McGoldrick.

December 15, 2017 – January 19, 2018

Opening reception Dec. 15, 6-9pm

“Pre-existing Conditions” is the result of a collaborative excavation of various illegal dump sites near Albuquerque. Cecilia McKinnon and Lance McGoldrick have sourced materials for installation, sculptures, and trash readymades from these informal sites, examining cycles of production, consumption, and planned obsolescence. The artists give consideration and new context to common trash, attempting to present waste objects as both repellent and beautiful.

The two artists, both redheads, share a common background in printmaking as well as a love of working with messy, often decaying materials. The artists share a mutual fascination with objects which are broken and abandoned, and with repurposing found objects and materials within sculptural practices. Cecilia McKinnon, an active member of GRAFT collective, is an intermedia artist and curator, interested in textiles, installation, and performance. Lance Ryan McGoldrick, an artist with Meow Wolf collective, is based in Albuquerque, NM. Working both solo and in collaboration, Lance’s work often takes on an architectural scale and has frequently been presented in non-traditional art spaces.

http://lanceryanmcgoldrick.com/

https://ceciliamckinnonart.com/

Exceptional Visual Artist Scholar Award Recipients

Congratulations to University of New Mexico MFA Candidate’s Kaitlin Bryson and Nick Simko on receiving Sanitary Tortilla Factory’s Exceptional Visual Artist Scholar Award! The Exceptional Visual Artist Scholar Series (E.V.A.S.S.) offers professional space for two Master of Fine Art graduate students per year as their final thesis show. The culminating exhibition launches them into their profession as an artist. With the series, we underscore exceptional artists attending regional institutions while highlighting Albuquerque’s innovative contemporary art scene.

 


Kaitlin Bryson lives and works in the high deserts of New Mexico, and has spent her life working as an artist and organic farmer. Drawing from her experience as a cultivator, her artwork illuminates the processual nature of life through the lens of transformation. Biological materials are embedded into her work so that the “finished” pieces have the potential to play, transform, and live out their own dynamic processes. Her work unfolds as restorative gestures for human and nonhuman audiences, serving as a reminder that mutability and adaptability are the common grounds we all inhabit.

Bryson received a Bachelor of Fine Arts from The University of Nevada, Reno in 2012, and is pursuing a Master of Fine Arts in Art & Ecology from the University of New Mexico. Her work has been included in group exhibitions at The Holland Project in Reno, Nevada, Site Santa Fe, and BioCultura in Santa Fe, New Mexico, and has been performed at The Holocene in Portland, Oregon. In January of 2018 Bryson will participate in the Interface Residency Programme in Gallway, Ireland, supported by funding in part from the Andrew W. Mellon Foundation, and the Lannan Foundation.

http://www.kaitlinbryson.com/

 

Nick Simko is an interdisciplinary artist. Simko’s work has been exhibited at museums and galleries throughout the United States including the Walters Art Museum, The University of New Mexico Art Museum, 516 Arts, and Hillyer Arts Space. Simko holds a BFA degree in Art History, Theory & Criticism from the Maryland Institute College of Art and is presently completing an MFA in Photography at the University of New Mexico.

In my studio practice I am interested in material process and the formation of identity. My work employs a variety of material techniques, blending digital imaging, drawing, and monumental tapestries woven on a computerized loom. Though my work is often grounded in imagery from the history of painting and photography, I am equally inspired by contemporary cultural artifacts such as music videos and animated sitcoms. My work often balances on a tightrope between two opposing cliffs: the serious and the silly, the sacred and the profane, the awful and the awesome. I am most interested in the slippage that occurs between approaches and how such fluidity challenges processes of identification.

https://www.nickcliffordsimko.com/

 

 

We Appreciate Your Progress

For As Long As We Could Hold Our Breath, Eugene Ellenberg, 2017, Archival Inkjet Print

November 10th – 24th, 2017

Opening Reception: Friday, November 10th, 6-9pm

In an exhibition of interdisciplinary works, Eugene Ellenberg explores human limitations and the exquisite nature of failure. Communal phrases of promise and codes of distress coexist and contrast the artist’s own fractured faith and embrace of doubt. In a series of photographs, Ellenberg contends with self-conscious rituals in moments of reverence by exposing each sheet of film for as long as he held his breath. Accompanying installations repurpose industrial materials, inviting the visitor to engage with their own presence and sensorial experience in the space.

Exceptional Visual Artist Scholar Series

We Appreciate Your Progress, new works by Eugene Ellenberg is one of two exhibitions in the 2017 that is part of Sanitary Tortilla Factory’s Exceptional Visual Artist Scholar Series. The Exceptional Visual Artist Scholar Series offers professional space for the culminating exhibition that defines the student’s launch into their profession as an artist. The series hopes to underscore exceptional artists attending regional institutions while highlighting Albuquerque’s historic connection to contemporary art practice.

About the Artist

Eugene Ellenberg is an interdisciplinary artist working in Albuquerque, NM. His work has been included in group exhibitions at Harry Wood Gallery in Tempe, AZ, Lionel Rombach Gallery in Tucson, AZ, Workhouse Arts Center in Lorton, VA, Lee Gallery in Clemson, SC, College of William and Mary in Williamsburg, VA, Colorado Photographic Arts Center in Denver, CO, Clinton Adams Gallery and 516 Arts in Albuquerque, NM. His work has been published online through Ain’t Bad, Lenscratch, Slate Magazine, CNN World and One, One Thousand Southern Photography. He is a recipient of the Howard L. Franks Memorial Fellowship. Originally from South Carolina, he received his BFA in Studio Art from Clemson University. As one of Sanitary Tortilla Factory’s Exceptional Scholars of 2017, We Appreciate Your Progress is his MFA thesis show for the Photography program at the University of New Mexico.

 

www.eugeneellenberg.com

The Alchemical Trace: Transformation and Resilience in Recent Work by LGBTQIA Artists

“Earl”, Earl McBride, 48×36″ 2016, courtesy of Richard Levy Gallery

October 6th-November 3rd, 2017

Opening Reception: October 6th, 6-9pm 

Curated by art historian, Ray Hernández-Durán, The Alchemical Trace: Transformation and Resilience in Recent Work by LGBTQIA Artists is an exhibition meant to open in conjunction with the 15th annual Southwest Gay Lesbian Film Festival, the largest event of its kind in this region of the country. With a focus on resistance, adaptation, and survival, the exhibition will include recent work by a diverse group of emerging LGBTQIA-identified artists from NYC, Chicago, San Francisco, L.A., Las Vegas, and Albuquerque, who address themes of healing, growth, memory, and persistence in their art. In addition to the exhibition, there will be a lecture series, art film screenings, and an exhibition catalogue that will be free to the public.

feat. Logan Bellew, Justin Favela, Pilar Gallego, Erol Scott Harris II, Earl McBride, Maia Cruz Palileo, Virgo Paraiso, Jami Porter Lara, Tino Rodriguez, Nick Simko, Jason Villegas.

The Alchemical Trace: Transformation and Resilience in Recent Work by LGBTQIA Artists is generously supported by the Fulcrum Fund in partnership with the Andy Warhol Foundation for the Visual Arts.

www.wayoutwestnm.com

 

 

 

Fathoms and Measures by A.I.R. Alex Branch

 

Friday, September 29th from 6-9pm

The closing of Fathoms and Measures by our current artist in residence Alex Branch.

Artist Alex Branch came to the desert to build a musical boat. What she created was an orchestra. Using found materials, Branch re-purposes broken musical instruments to create pieces that function in new ways. Rebuilding what is broken, she uses pieces from pianos, clocks, cellos and crutches to reinvent music making. And yes, there is a boat.

 

 

7pm performance by Bryce Fletcher Hample of REIGHNBEAU and Hedia. Hample will play the sculptural instruments.


http://www.brycehample.com/
http://www.alexbranch.com/

The Sanitary Tortilla Factory residency program is generously supported by the Fulcrum Fund in partnership with the Andy Warhol Foundation for the Visual Arts and The FUNd at Albuquerque Community Foundation.

 

 

 

Tears of Silver

Posted in Concert

Thursday September 21st, 7-10pm

“As far as PoMo supergroups go, you don’t get much more super than what follows. On Thursday, Sept. 21, Albuquerque alternative art space, the Sanitary Tortilla Factory(401 Second Street SW) welcomes Tears of Silver. In case you wanna know, that’s an awesome ensemble comprised of some of the most kick-ass, legendary, profoundly experimental and influential rockers to ever set foot on planet Earth. Who are Tears of Silver? Ahem. Well. The group includes Jesse Chandler, Jonathan Donahue and Grasshopper, straight outta Mercury Rev. Donahue, readers may recall, did a stint in the Flaming Lips before leaving in 1992 to form Mercury Rev with Sean Thomas Mackowiak (Grasshopper the guitarist!). In addition, Ken Stringfellow, founder of Pacific Northwest forest power poppers The Posies adds salt to the tears. Stringfellow has also gigged as a bona fide member of Big Star (Damn!) and the dude played in the touring version of R.E.M. in the late ’90s and early aughts. The new collective has quickly gained the notice of the rock press, as well as growing adulation from a host of millennials who’ve been exposed to the band through coverage this summer in Diffuser and Brooklyn Vegan. The band and the tour have taken a decidedly unorthodox and underground identity, playing small acoustic shows in alternative spaces and recording an EP that features tunes by Al Cooper, Big Star and Bread. Their 7pm gig in Burque is an all-ages affair; tickets range in price from $20-$100 and are available at eventbrite.com.”

Alibi article

 

Downtown Block Party

WHEN: Saturday, September 16, 12-6pm

WHERE: on 2nd Street between Lead & Coal, Downtown Albuquerque

HOW MUCH: FREE

Art, music, food & fun for the whole family!

Everyone is invited to join the fun at the Downtown Block Party, an outdoor festival of arts and culture on Saturday, September 16, 12-5pm on 2nd Street between Lead and Coal Avenues in Downtown Albuquerque. Admission is free and families are encouraged to attend.

The Downtown Block Party is at this location for the second year. It became a tradition starting in 2012 established by 516 ARTS where it was held for several years on Central Avenue. The annual Downtown Block Party is unique in its particular emphasis on arts programming and collaboration among arts organizations. This year’s line-up includes programming from 516 ARTS, Axle Contemporary, The Orpheum Arts Space, Rock 101, The Sanitary Tortilla Factory and Warehouse 508.

Joseph Toledo of Jemez Pueblo, who is arranging Jemez Pueblo youth dancers to perform as part of 516 ARTS’ Cross Pollination activities at the block party, says, “Our local Jemez Day School dance group called the Little Eagle Drum Group will be performing the Butterfly Dance, which holds all pollination properties. In dance, song, and attire, the significance of the dance pollinates all living mother earth existence. Without pollination, nothing grows.”

Check out music by local musicians including the teen girl band Hiss with Rock 101 and Space Blanket with Warehouse 508. Shop local crafts and artisan products presented by Moonlight Market. And enjoy craft beer and cider, food trucks, and a variety of games including pool tables, badminton and pinball.

This year, The Sanitary Tortilla Factory and Sidetrack Brewing are the lead presenters of the Downtown Block Party, in partnership with 516 ARTS, Downtown Albuquerque MainStreet /Downtown Arts & Cultural District and the following businesses: Tractor Brewing Company, A Good Sign, HomeWise and Gertrude Zachary.

Sheri Crider, owner of The Sanitary Tortilla Factory and lead organizer of the event, says, “I really enjoy bringing people together, especially people who might not ever meet under different circumstances. The hope with this event is that the activities will bring people to downtown who might not normally venture this direction and allow them to interact and come together in new ways.”

Downtown Block Party Activities Include:

MUSIC & DANCE

Hiss, Kevin Herig with Rock 101 – 12:00pm Jemez Pueblo Little Eagle Drum Group – Butterfly Dance – presented by 516 ARTS – 2:00pmSpace Blanket with Warehouse 508- 4:00pm

VISUAL ART

Cross Pollination activities with 516 ARTS

Steve Barry: Wave, an exhibit inside the gallery at the Sanitary Tortilla Factory

Text & Image: Playing with Haiga, an exhibit in Axle Contemporary Mobile GalleryOpen Artists’ Studios inside the Sanitary Tortilla FactoryLive Painting with Warehouse 508

ARTS & CRAFTSArtisan Market curated by Moonlight Marketing

GAMES

Badminton • Jenga • Corn Hole • Pinball • Billiards

FOOD & DRINK

The Supper Truck • Sidetrack Brewing • Tractor Brewing

Belonging by A.I.R. Christine Wong Yap

Friday, July 7th, 6-9pm

Zine Release & Open-Studio-in-Closing

“The goal of Belonging is to reveal the pivotal experiences that shape one’s sense of belonging and connectedness to a place and country, and how it ultimately defines our authentic selves; and to say, We All Belong Here.”

The Sanitary Tortilla Factory residency program is generously supported by the Fulcrum Fund in partnership with the Andy Warhol Foundation for the 

Visual Arts and The FUNd at Albuquerque Community Foundation.

 

 

 

Botanical Mural by PASTEL FD (Francisco Díaz)

Posted in News

Botanical Mural Project Celebration

LOCATIONS:
4-5pm: Sanitary Tortilla Factory, 401 2nd St. SW
with City Councilor Isaac Benton
5-6pm: Tower Plaza Building, 510 2nd St. NW
with City Councilor Pat Davis

516 ARTS invited the community to join us for a special dedication celebrating the completion of the Botanical Mural Project, two new murals in downtown Albuquerque by renowned artist Francisco Díaz (a.k.a. Pastel) from Buenos Aires, Argentina. The dedication took place 4-6pm on Tuesday, March 21 (4-5pm at the Sanitary Tortilla Factory, 5-6pm and the Tower Plaza Building). Guests were able to meet the artist, mural apprentices, project organizers, building owners and supporters, and learn about the process.

Díaz, who is both an architect and a muralist, has created murals all over the world, most recently in Italy, Portugal, Poland, Australia, Mexico and Miami. Using his distinct visual language and decorative style, he fills immense wall surfaces with patterns based on the local ora of the region. His botanical references address history, geography, society and politics, while exploring the relationships between urban art, architecture and city life. Díaz describes his street art as “urban acupuncture,” saying, “Modern cities are full of ‘non-places’ because of irregular and not inclusive master-planning…. Working with symbolism of local flora, the pieces begin a dialogue about the nature of human beings and our surroundings.”

The Botanical Mural Project is part of Cross Pollination, an exhibition at 516 ARTS about bees and other pollinators and their role in the world’s food supply. In consultation with Cross Pollination exhibition curator Valerie Roybal, Díaz chose to work with images of the following local, native plants that pollinators love: Arbutus, Senna, Phyla, Clematis, Cercocarpus, Artemisia, Aloysia, Amorpha and Mahonia.

The Botanical Mural Project consists of two mural sites:

• Tower Building: 510 2nd St. NW The south and west facing walls at the corner of 2nd St. and MLK Blvd. across from the Convention Center will dramatically showcase the work of this international artist while enhancing an otherwise drab or ‘unnoticed’ city scape. (mural size: 6,650 square feet)

• Sanitary Tortilla Factory: 401 2nd St. SW The north facing wall of the building on Lead Ave. at the corner of 2nd St. marks the public gallery for the Sanitary Tortilla Factory, which also houses artists’ studios and a sculpture residency program. This building is an anchor for the revitalization of the block of 2nd St. between Lead and Coal that is transforming into a destination for creative businesses and artists. (mural size: 640 square feet)

Very special thanks to project supporters J.J. Mahoney & Associates, the 516 ArtsThe City of Albuquerque Public Art ProgramSherwinn-Williams, and Benjamin Moore Paints / Coronado Paint and Decorating.