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Sanitary Tortilla Factory
401-403 2nd St SW
Albuquerque, NM 87102

(505) 228-3749
stfsubmissions@gmail.com

Gently Radical Changing

Joining in Acknowledgement (detail), Reishi mushroom, weaving, 13″ x 6″ x 15″

 

April 27 – May 11, 2018

OPENING RECEPTION: Friday, April 27 6-9pm

Poetry reading by Beata Tsosie-Peña 7:00pm

CLOSING RECEPTION: May 11, 2018 – 6:00-9:00pm

In Gently Radical Changing, Kaitlin Bryson engages with the legacy of toxic contamination and subsequent trauma in ecologies ridden with histories of environmental injustices. The work presented in the exhibition offers gestures of remediation and healing to these places, through bioremediative sculpture and performance, video, installation, and participatory workshops. In partnership with the Environmental Justice department of Tewa Women’s United, based out of Española, New Mexico, this work synergistically explores how radical environmental and social change can happen through compassionate acts of interspecies collaboration. 

The work presented in the exhibition will transform and physically change throughout the duration of the show. Some works will appear and others will disappear. Viewers are encouraged to stop by throughout the exhibition run to observe the living works.

Exceptional Visual Artist Scholar Series

Gently Radical Changing, new works by Kaitlin Bryson is one of two exhibitions in 2018 that is part of Sanitary Tortilla Factory’s Exceptional Visual Artist Scholar Series. The Exceptional Visual Artist Scholar Series offers professional space for the culminating exhibition that defines the student’s launch into their profession as an artist. The series hopes to underscore exceptional artists attending regional institutions while highlighting Albuquerque’s historic connection to contemporary art practice.

About the Artist

Kaitlin Bryson lives and works in the high deserts of New Mexico, and has spent her life working as an artist and organic farmer. Drawing from her experience as a cultivator, her artwork illuminates the processual nature of life through the lens of transformation. Biological materials are embedded into her work so that the “finished” pieces have the potential to play, transform, and live out their own dynamic processes. Her work unfolds as restorative gestures for human and nonhuman audiences, serving as a reminder that mutability and adaptability are the common grounds we all inhabit.

Bryson received a Bachelor of Fine Arts from The University of Nevada, Reno in 2012, and is pursuing a Master of Fine Arts in Art & Ecology from the University of New Mexico. Her work has been included in group exhibitions at The Holland Project in Reno, Nevada, Site Santa Fe, and BioCultura in Santa Fe, New Mexico, and has been performed at The Holocene in Portland, Oregon. In January of 2018 Bryson will participate in the Interface Residency Programme in Gallway, Ireland, supported by funding in part from the Andrew W. Mellon Foundation, and the Lannan Foundation.

http://www.kaitlinbryson.com/

Football

Nick Simko, Football (1), 2018

April 6 – 21, 2018

OPENING RECEPTION: Friday, April 6, 6-9pm

Artist Talk: Monday, April 9, 4-5 PM, UNM College of Fine Arts, Room 1020

Football is a manifestation of the cultural processes that shape male-identified formations of body. Using a visual vocabulary that hovers between photography and painting, these works on paper explore the aspects of heroism, romance, and idealized gender role play embedded in representations of college football players.   

Exceptional Visual Artist Scholar Series

Football is Nick Simko’s UNM MFA Photo thesis exhibition and the first of two exhibitions in 2018 that is part of Sanitary Tortilla Factory’s Exceptional Visual Artist Scholar Series. The Exceptional Visual Artist Scholar Series offers professional space for the culminating exhibition that defines the student’s launch into their profession as an artist. The series hopes to underscore exceptional artists attending regional institutions while highlighting Albuquerque’s historic connection to contemporary art practice.

About the Artist

Nick Simko is an interdisciplinary artist. Simko’s work has been exhibited at museums and galleries throughout the United States including the Walters Art Museum, The University of New Mexico Art Museum, 516 Arts, and Hillyer Arts Space. Simko holds a BFA degree in Art History, Theory & Criticism from the Maryland Institute College of Art and is presently completing an MFA in Photography at the University of New Mexico.

https://www.nickcliffordsimko.com/

Migrations

neiiKAI [we walk around…], Dinétah diyogíj, Eric-Paul Rienge, 62”x38”, 2017

MIGRATIONS

curated by Candy Nartonis and Ellen Babcock

March 2 – March 30 , 2018

OPENING RECEPTION: Friday, March 2, 6-9pm

Migrations contextualizes human migration so that it can be mourned, accepted, embraced, and even in some circumstances celebrated. In our present world, millions of people have been forced to leave their homes. Political danger, famine, earthquakes, fire, rising water, and personal tragedy have caused so many human beings, world-wide, to experience displacement.  Forced migration and movement made by choice are two sides of this range of journeys motivated by survival and by dreams of a better life. Important to this story are the migrations to find better and more suitable work and to reconnect with family.

Albuquerque as a city and Alburqueños as a people recognize the richness that migrations have brought to our state. As a group we have been particularly sensitive to the problems our new neighbors encounter. We reached out to many concerned groups while we planned this exhibition and the related events. They have all helped tell this story of current and historic migration.

Migrations touches on the sanctuary movement, the difficulty of crossing national borders, and threats of deportation. It will include community members who migrated or have family stories to tell. We’ll include supporting materials such as maps and histories. A room representing a safe place will fill the center of the gallery space.  Inside this space, you will hear personal accounts of forced exodus, uprooted families, war and political and natural events that compel people to move. You will be able to add your own story or consider what you would do if you found yourself in this situation.

Artists and scholars contributing to the exhibition:

Ellen Babcock, Adam Herrera, Evey Jones, Israel F. Haros Lopez, Troy Lovato, David Mora, Candy Nartonis, Zeke Peña, Reed Perkins, Eric-Paul Riege, Jim Roeber, Carol Weber

Related Events:

Sunday, March 4: New Mexicans in Movement: off-site

First of the series: Sunday, March 4, 10am-12pm

We are sponsoring a series of guided walks to interact, share and connect with New Mexican global wanderers; persons for whom migration has defined their lives and the personality of our state. Among the hosts are successful innovators, former diplomats, misfits, multi-generational New Mexicans, as well as recent arrivals. These walks are created by Sidni Lamb at Mindful New Mexico. Check Mindful New Mexico website

http://www.mindfulnewmexico.com/ for dates, locations, and descriptions of walks in the series.

Saturday, March 10: 7pm, The Sanitary Tortilla Factory

Israel F. Haros Lopez performs Mexican Jazz

Poems of migration from his recent publication of Mexican Jazz, a graphic codex novel about women and children in detention centers. He will also be reading excerpts form his latest works, La Llorona Xronciles and Ghostbraids. La llorona Xronicles retells the classic story of La Llorona, the weeping woman and interrupts narratives of myths and oral histories. Ghostbraids is an exploration of Chicano poetry, experimenting with bilingualism, immigration and diverse poetic forms, visual poetry, improvisation and soundscapes, each reading of these works become site specific.

Saturday, March 24, 5-7pm, The Sanitary Tortilla Factory

Potluck Dinner and Music: you are all invited to this celebration of gifts. Bring a food offering from your homeland, write your family history, meet others.

We’ll supply plates and forks, drinks, and food from around the world.

Visiting Curator Talk with Rachel Cook

Posted in Uncategorized

ABOUT RACHEL COOK
As curator of DiverseWorks in Houston, TX, Rachel Cook is passionate about the organization’s mission to “commission, produce, and present new and daring art in all its forms through innovative collaborations that honor each artist’s vision without constraint.” Her curatorial work reconsiders the relationship between images and objects, and investigates methods of delegation embedded within performative and participatory work. She has helped to organize commissioned projects with Tony Feher, Liz Magic Laser, Heather and Ivan Morison, Wu Tsang, Pepe Mar, and Chelsea Knight and Mark Tribe.

Her writing has appeared in a number of art journals and catalogues, including Modern Painters, Flash Art, and the Prospect 3 catalogue. Prior to joining DiverseWorks, Cook worked for dOCUMENTA(13)’s publication team, and was a fellow for the International Studio & Curatorial Program, New York. She holds a Masters from the Center for Curatorial Studies at Bard College and a Bachelors from the San Francisco Art Institute.

Cook has recently been appointed Creative Director of On the Boards in Seattle, WA. Her visit is organized in partnership with ICI and with full financial support provided by Common Field.

 

Flight (01)
A Benefit Event for Immigration Awareness

Posted in Uncategorized

SATURDAY, JANUARY 27, 2018
5-8pm
524 Central NW
Mercedez Holtry performs @ 6pm
250 FREE TACOS by El Paisa

Mercedez Holtry     Jodie Herrera      Sheri Crider      Kei & Molly Textiles

A group of artists are gathering forces to create a visual, spoken word event that benefits the NM Dream Team, New Mexico Immigrant Law Center & the Santa Fe Dreamers Project. 

Flight (01) is the first of three events that is partially sponsored by the Right of Return Fellowship which invests in formerly incarcerated artists to create original works that can further criminal justice reform in partnership with advocates and organizers. Sheri Crider is 1 of 7 inaugural recipient’s of this fellowship. As part of Flight (01) four visual artists will create works that amplify the conversation surrounding immigration and mass incarceration. Each artist brings their own signature work to the event as a collectible item. The proceeds benefit local organizations that support community members impacted by these issues. Jodie Herrera has designed a custom tote with a recent design informed by her recent body of work, Women Across Borders. Kei and Molly have designed one of their gorgeous linens with migratory birds that are featured in limited edition bird mobiles by Sheri Crider. The birds design are conceptually tied to currently detained immigrants at Cibola Detention Center. Flight will grow over the year in a series of events, culminating in a large scale installation and series of events at the University of New Mexico Art Museum in August.   

Mercedez Holtry is a slam poet, writer, mentor, and Chicana feminist.  Holtry has represented ABQ on multiple final and semi-final stages for national poetry events and holds multiple Albuquerque Slam titles. She has worked with youth in poetry workshops in multiple cities around the country and hosts a monthly poetry reading called “Lobo Slam”.

 

Jodie Herrera is a visual artist and curator from Taos, New Mexico. She is of both Native and Hispanic descent. Herrera works as an illustrator, muralist, a mixed-media artist, and curator all while predominantly focusing on oil painting. Herrera’s art has been featured in such settings as The Anderson Museum of Contemporary Arts, The Art and History Museum of Santa Cruz, The Albuquerque Art and History Museum, 516 Gallery, Beautiful Bizarre Magazine, Center for Contemporary Arts Santa Fe, among many others.

 

 

Photography by Marla Bros/Albuquerque Journal

Sheri Crider is a visual artist, a community builder, a civil rights dreamer, living and working in Albuquerque, New Mexico. The seemingly innate ability to draw and create was the key to recovering from many years of drug addicted, homelessness and incarceration. sheri has a BFA from the University of Arizona and a MFA from the University of New Mexico.

 

 

copyright Mary Hobbs

Kei and Molly live in the high desert of Albuquerque, New Mexico. We founded Kei & Molly Textiles, LLC in 2010 to create both a printing studio dedicated to producing artisan-quality fabric goods as well as a vehicle to develop good jobs in our community. The studio is located in the International District of Albuquerque, an area home to many of the refugees and recent immigrants to our city. Vibrant with culture, it is nonetheless one of Albuquerque’s pockets of poverty. We are committed to creating good jobs in this area, and work with refugee resettlement programs to find many of our employees.

FOR MORE INFO: CONTACT SHERI CRIDER @ sherilcrider@gmail.com or call 505.228.3749

Interior Landscapes

31°19’19.10”N; 109°29’47.62”W: And Golden Light, 2017, video still, courtesy of Bockley Gallery

 

POSTCOMMODITY     ERIC PAUL-RIEGE 

M. JENEA SANCHEZ     TARA EVONNE TRUDELL

INTERIOR LANDSCAPES          

JANUARY 26 – FEBRUARY 23, 2018

OPENING RECEPTION: Friday, January 26th 6-9pm

Performances: Opening night 7pm and February 23rd 7pm

Interior Landscapes is an exhibition presented by Sanitary Tortilla Factory and 516 ARTS as part of a collaboration for “The US-Mexico Border: Place, Imagination, and Possibility”. Interior Landscapes co-curated by Daryl Lucero and sheri crider. The exhibition focus is on the lived experience of people on the U.S.-Mexico border. Elemental to these stories are the absence of political demarcations. Where the border suggests a bifurcation of territoriality, there also exists the space between the north and south.

The artists in this exhibit find themselves living in varying proximities with the border—Arizona, New Mexico, and Sonora. Although the artists vary in social, cultural, and geographical distances, the work engages communities situated on the border. The works are collaborative and signify the reciprocal nature in which borders can be negotiated, and recreated to benefit those within them.

The works are examples of socially engaged art that humanize the border wall and its symbol of national identity, culture, and politics. And what we see are the acts that speak to living in a place of tension, violence, and creativity. The border becomes possessed by the humanity of those within it. What we witness are the stories, experiences, and truths not of the artists, but through the medium of conversation between the artists and communities. We witness the creativity of people and place.

In Border Tapestry (2009) M. Jenea Sanchez teases the absence of the border wall by transforming its purpose to divide and uses it to unite. Sanchez utilizes the steel structure as a loom to weave, to recall and connect to the “familial roots of the border communities, the families that are separated by the fence, and the days when movement across was more fluid and natural rather than militarized.”

Tara Evonne Trudell’s work physically transforms the words and messages of those living within the border area. Tara Evonne Trudell hosts poetry workshops with communities situated on the border. In these workshops, participants create poems that are then created into beads which become long strands of poetry. Tara Evonne Trudell see this work as a way to “address the realities of trying to cross the border: a trip plagued with dangerous environments and a heavily militarized zone.”

From the outside looking in, the border can be flat and two-dimensional. These works bring to light the life within. The border is animated, mocked, teased, and made human.

Click here to read the exhibition brochure

 

 

Thank you to 516 ARTS for making this exhibition possible.

516 ARTS US-Mexico Boarder Program Guide

Click Here

 

 

Pre-existing Conditions
Cecilia McKinnon and Lance McGoldrick.

December 15, 2017 – January 19, 2018

Opening reception Dec. 15, 6-9pm

“Pre-existing Conditions” is the result of a collaborative excavation of various illegal dump sites near Albuquerque. Cecilia McKinnon and Lance McGoldrick have sourced materials for installation, sculptures, and trash readymades from these informal sites, examining cycles of production, consumption, and planned obsolescence. The artists give consideration and new context to common trash, attempting to present waste objects as both repellent and beautiful.

The two artists, both redheads, share a common background in printmaking as well as a love of working with messy, often decaying materials. The artists share a mutual fascination with objects which are broken and abandoned, and with repurposing found objects and materials within sculptural practices. Cecilia McKinnon, an active member of GRAFT collective, is an intermedia artist and curator, interested in textiles, installation, and performance. Lance Ryan McGoldrick, an artist with Meow Wolf collective, is based in Albuquerque, NM. Working both solo and in collaboration, Lance’s work often takes on an architectural scale and has frequently been presented in non-traditional art spaces.

http://lanceryanmcgoldrick.com/

https://ceciliamckinnonart.com/

Exceptional Visual Artist Scholar Award Recipients

Congratulations to University of New Mexico MFA Candidate’s Kaitlin Bryson and Nick Simko on receiving Sanitary Tortilla Factory’s Exceptional Visual Artist Scholar Award! The Exceptional Visual Artist Scholar Series (E.V.A.S.S.) offers professional space for two Master of Fine Art graduate students per year as their final thesis show. The culminating exhibition launches them into their profession as an artist. With the series, we underscore exceptional artists attending regional institutions while highlighting Albuquerque’s innovative contemporary art scene.

 


Kaitlin Bryson lives and works in the high deserts of New Mexico, and has spent her life working as an artist and organic farmer. Drawing from her experience as a cultivator, her artwork illuminates the processual nature of life through the lens of transformation. Biological materials are embedded into her work so that the “finished” pieces have the potential to play, transform, and live out their own dynamic processes. Her work unfolds as restorative gestures for human and nonhuman audiences, serving as a reminder that mutability and adaptability are the common grounds we all inhabit.

Bryson received a Bachelor of Fine Arts from The University of Nevada, Reno in 2012, and is pursuing a Master of Fine Arts in Art & Ecology from the University of New Mexico. Her work has been included in group exhibitions at The Holland Project in Reno, Nevada, Site Santa Fe, and BioCultura in Santa Fe, New Mexico, and has been performed at The Holocene in Portland, Oregon. In January of 2018 Bryson will participate in the Interface Residency Programme in Gallway, Ireland, supported by funding in part from the Andrew W. Mellon Foundation, and the Lannan Foundation.

http://www.kaitlinbryson.com/

 

Nick Simko is an interdisciplinary artist. Simko’s work has been exhibited at museums and galleries throughout the United States including the Walters Art Museum, The University of New Mexico Art Museum, 516 Arts, and Hillyer Arts Space. Simko holds a BFA degree in Art History, Theory & Criticism from the Maryland Institute College of Art and is presently completing an MFA in Photography at the University of New Mexico.

In my studio practice I am interested in material process and the formation of identity. My work employs a variety of material techniques, blending digital imaging, drawing, and monumental tapestries woven on a computerized loom. Though my work is often grounded in imagery from the history of painting and photography, I am equally inspired by contemporary cultural artifacts such as music videos and animated sitcoms. My work often balances on a tightrope between two opposing cliffs: the serious and the silly, the sacred and the profane, the awful and the awesome. I am most interested in the slippage that occurs between approaches and how such fluidity challenges processes of identification.

https://www.nickcliffordsimko.com/

 

 

We Appreciate Your Progress

For As Long As We Could Hold Our Breath, Eugene Ellenberg, 2017, Archival Inkjet Print

November 10th – 24th, 2017

Opening Reception: Friday, November 10th, 6-9pm

In an exhibition of interdisciplinary works, Eugene Ellenberg explores human limitations and the exquisite nature of failure. Communal phrases of promise and codes of distress coexist and contrast the artist’s own fractured faith and embrace of doubt. In a series of photographs, Ellenberg contends with self-conscious rituals in moments of reverence by exposing each sheet of film for as long as he held his breath. Accompanying installations repurpose industrial materials, inviting the visitor to engage with their own presence and sensorial experience in the space.

Exceptional Visual Artist Scholar Series

We Appreciate Your Progress, new works by Eugene Ellenberg is one of two exhibitions in the 2017 that is part of Sanitary Tortilla Factory’s Exceptional Visual Artist Scholar Series. The Exceptional Visual Artist Scholar Series offers professional space for the culminating exhibition that defines the student’s launch into their profession as an artist. The series hopes to underscore exceptional artists attending regional institutions while highlighting Albuquerque’s historic connection to contemporary art practice.

About the Artist

Eugene Ellenberg is an interdisciplinary artist working in Albuquerque, NM. His work has been included in group exhibitions at Harry Wood Gallery in Tempe, AZ, Lionel Rombach Gallery in Tucson, AZ, Workhouse Arts Center in Lorton, VA, Lee Gallery in Clemson, SC, College of William and Mary in Williamsburg, VA, Colorado Photographic Arts Center in Denver, CO, Clinton Adams Gallery and 516 Arts in Albuquerque, NM. His work has been published online through Ain’t Bad, Lenscratch, Slate Magazine, CNN World and One, One Thousand Southern Photography. He is a recipient of the Howard L. Franks Memorial Fellowship. Originally from South Carolina, he received his BFA in Studio Art from Clemson University. As one of Sanitary Tortilla Factory’s Exceptional Scholars of 2017, We Appreciate Your Progress is his MFA thesis show for the Photography program at the University of New Mexico.

 

www.eugeneellenberg.com

The Alchemical Trace: Transformation and Resilience in Recent Work by LGBTQIA Artists

“Earl”, Earl McBride, 48×36″ 2016, courtesy of Richard Levy Gallery

October 6th-November 3rd, 2017

Opening Reception: October 6th, 6-9pm 

Curated by art historian, Ray Hernández-Durán, The Alchemical Trace: Transformation and Resilience in Recent Work by LGBTQIA Artists is an exhibition meant to open in conjunction with the 15th annual Southwest Gay Lesbian Film Festival, the largest event of its kind in this region of the country. With a focus on resistance, adaptation, and survival, the exhibition will include recent work by a diverse group of emerging LGBTQIA-identified artists from NYC, Chicago, San Francisco, L.A., Las Vegas, and Albuquerque, who address themes of healing, growth, memory, and persistence in their art. In addition to the exhibition, there will be a lecture series, art film screenings, and an exhibition catalogue that will be free to the public.

feat. Logan Bellew, Justin Favela, Pilar Gallego, Erol Scott Harris II, Earl McBride, Maia Cruz Palileo, Virgo Paraiso, Jami Porter Lara, Tino Rodriguez, Nick Simko, Jason Villegas.

The Alchemical Trace: Transformation and Resilience in Recent Work by LGBTQIA Artists is generously supported by the Fulcrum Fund in partnership with the Andy Warhol Foundation for the Visual Arts.

www.wayoutwestnm.com

 

 

 

Fathoms and Measures by A.I.R. Alex Branch

 

Friday, September 29th from 6-9pm

The closing of Fathoms and Measures by our current artist in residence Alex Branch.

Artist Alex Branch came to the desert to build a musical boat. What she created was an orchestra. Using found materials, Branch re-purposes broken musical instruments to create pieces that function in new ways. Rebuilding what is broken, she uses pieces from pianos, clocks, cellos and crutches to reinvent music making. And yes, there is a boat.

 

 

7pm performance by Bryce Fletcher Hample of REIGHNBEAU and Hedia. Hample will play the sculptural instruments.


http://www.brycehample.com/
http://www.alexbranch.com/

The Sanitary Tortilla Factory residency program is generously supported by the Fulcrum Fund in partnership with the Andy Warhol Foundation for the Visual Arts and The FUNd at Albuquerque Community Foundation.

 

 

 

Tears of Silver

Posted in Concert

Thursday September 21st, 7-10pm

“As far as PoMo supergroups go, you don’t get much more super than what follows. On Thursday, Sept. 21, Albuquerque alternative art space, the Sanitary Tortilla Factory(401 Second Street SW) welcomes Tears of Silver. In case you wanna know, that’s an awesome ensemble comprised of some of the most kick-ass, legendary, profoundly experimental and influential rockers to ever set foot on planet Earth. Who are Tears of Silver? Ahem. Well. The group includes Jesse Chandler, Jonathan Donahue and Grasshopper, straight outta Mercury Rev. Donahue, readers may recall, did a stint in the Flaming Lips before leaving in 1992 to form Mercury Rev with Sean Thomas Mackowiak (Grasshopper the guitarist!). In addition, Ken Stringfellow, founder of Pacific Northwest forest power poppers The Posies adds salt to the tears. Stringfellow has also gigged as a bona fide member of Big Star (Damn!) and the dude played in the touring version of R.E.M. in the late ’90s and early aughts. The new collective has quickly gained the notice of the rock press, as well as growing adulation from a host of millennials who’ve been exposed to the band through coverage this summer in Diffuser and Brooklyn Vegan. The band and the tour have taken a decidedly unorthodox and underground identity, playing small acoustic shows in alternative spaces and recording an EP that features tunes by Al Cooper, Big Star and Bread. Their 7pm gig in Burque is an all-ages affair; tickets range in price from $20-$100 and are available at eventbrite.com.”

Alibi article